Ten 9 Eight 7 6.5 Six 5 Four 3.1 3 Two 2.0001 1 000.000 & David Jhave Johnston proudly presents "How to automate your own Young Hae Chang Heavy Industries style poem using code. ! Disclaimer: it is impossible to automate art. Art (art!) is disobedient and chaotic. But this code will automatically animate words to the beats in music. After that it's up to you. You create art and this technique automates the rest. It's that simple. Or not. Technically, it's a volume threshold which is synching words to sounds; when it's loud things change. This style was popularized by Young-Hae Chang Heavy Industries. Popular digital poets. Very popular! Extremely popular. In interviews Young-Hae Chang Heavy Industries often say that they hire people to do their synchronizing. Poets with employees, nice! why not? poetry sweat shop!. Artists are teasing corporations. Young-Hae Chang Heavy Industries also say their synchronizing technique is a "trade secret". Wow, a secret! Now something like that "trade-secret" is right here right now on this website before your eyes being automated. Now you too can experience the joy of rhythm synchronizing without doing any work. Isn't that great? It's great! You bet it is. You too might become famous like Young-Hae Chang Heavy Industries. But I doubt it. Me too, I might become famous. But I doubt it! I am not famous. So I will introduce myself. My name is David Jhave Johnston. I probably, won't ever ever become famous because I am too shy to repeat my name over and over. Except here in this text on this screen, I will try to not be shy, because that is YHCHI-style, corporate style, brand-style. Here I am going to repeat my name many times. Ok. Why not? When I began making this thing, initially I, David Jhave Johnston, developed this technique to synchronize videos to music. I, David Jhave Johnston, thought it was a tool for performing poems, so that the sound of words could jump thru video. I thought: here's a great tool for a lazy poet; I can now edit video with my voice. Wow. I called the tool: sound-seeker. Sound Seeker. Sound Seeker. Then I, David Jhave Johnston, realized how big and powerful this technique is. I, David Jhave Johnston, had discovered heavy industries secret. A big and powerful secret. Synchronized words to music, controlled by code. Wow! But maybe you say: "Big deal! So what!" If so Ok, shut this site now. OK. Are you still here? . I am GOING TO TELL YOU A SECRET. I am not, repeat not, an employee of Young-Hae Chang Heavy Industries. Repeat: not an employee. I am an independent, totally independent, programmer & poet. programming? & poetry? isn't that weird? well, YES IT IS. IT IS weird. But I like it and I am not much good for anything else. So this progamming is by (who else?): David Jhave Johnston. But the work, most of it, is done by your computer. Repeat: your computer works for me. I hierd it when you opened this webpage. That's Jhave-style poetry. Lazy style. Less human work, more poetry. Instant effortless poetry. Poetry programmed for the 21st century. Computer as creative accomplice. Happy times for lazy poet programmers. Even you, dear reader, placidly benefit by the increased flexibility this interface offers. But unfortunately even when AUTO playing, it is you who must read. Reading is work. Hard work. Harder than hard. Get to it. This website relies on your brain. And it is not concerned with anything political. It is not going to mention borders or border guards or cunnilingus or anything that might upset or stimulate you. No it will not. It will not mention much that is horrible or horribly funny. It will just concentrate on this description of how the damn website with its changing words and glitchy music works. . Are you ready for instructions? . Instruction? Yuck! Pretend it is eye-candy. Yes? . Ok. Control(s) will DIS (dis) disappear when your mouse is really off, i mean totally off, OFF-screen. Controls will appear here (sorta on the left side) when your mouse is on, really on, on-screen. Reading is like life. You are in control of your life speed. Use the sliders. No force involved. The "BEAT threshold" slider on the left edge of the screen, says (predictably) : "BEAT threshold". Slide it back and forth. Back and forth. Slide it! Do you see HOW IT WORKS? Do you really see? It's just a parameter. Faster slower stop. Ok? tRY SLIDING THE "PAUSE" SLIDER BACK AND FORTH. "Pause" CONTROLS THE MINIMUm (REPEAT, THE MINIMUM, the least) TIME BETWEEN WORDS. sO IF YOU like it slow, move "pause" to the right. If you like it fast, move left, the words change fast when the beat arrives. The words dance. It's all about the beat. If it's too far right, the screen may never change at all. Don't blame any one else! You are in control. This is your show. Enjoy it. Be a code-poet. Try everything out. That's important. Try it all. Soon it will be possible to control the word changes with a microphone, by merely speaking we can make words dance. Oral culture. Again. Why not? but that's hidden now, that's my trade secret. Unfortunately I just told you, its not secret ANYMORE. O well!. That's it for the instructions. There was nothing political about the instructions. Now I am going to repeat myself but since the world is random you will never see it exactly the same again. This interface may have changed you. Too bad or just as well. Bye-bye. . .