spontaneous network compositional tools surture the gap between spontaneity and social inscription
the above riff was made by random pecking for a couple minutes on a reasonably intuitive music software
webern berg schoenberg sampler
two projects about the camera as a networked object. [...] The installation Blinks is a prism which refracts the ray of time running through a photo into all the moments that were captured simultaneously in different places. Buttons is a camera that actually shoots other’s photos, taking the notion of the networked camera to the extreme.
“The Dadameter is a tool for the profiling of language at large scale and the historical tracking of artistic and literary movements. It brings about a new alliance between art, science and global finance.
We use up-to-date 2.0 trend analysis and data visualization technologies, neural networks, graph theory or quantitative structural linguistics in order to be able to predict the next artistic craze.”
Christophe Bruno (2002 – 2008)
“Gnoetry is an on-going experiment in human/computer collaborative poetry composition.
Gnoetry synthesizes language randomly based on its analysis of existing texts. Any machine-readable text or texts, in any language, can serve as the basis of the Gnoetic process. Gnoetry generates sentences that mimic the local statistical properties of the source texts. This language is filtered subject to additional constraints (syllable counts, rhyming, etc.) to produce a poem.
[...]
A key aspect of the Gnoetry software is the ability of a human operator to intervene in the language generation cycle, helping to “guide” the artistic process and to produce a result that is a true collaboration of equals.”
Racter (an AI program that produced poetic prose) The Policeman’s Beard Is Half Constructed. 1983














