generative

two projects about the camera as a networked object. [...] The installation Blinks is a prism which refracts the ray of time running through a photo into all the moments that were captured simultaneously in different places. Buttons is a camera that actually shoots other’s photos, taking the notion of the networked camera to the extreme.


In 1965, in his studio in Warsaw, Opalka began painting a process of counting – from one to infinity. … the artist has pledged his life to its execution: ‘All my work is a single thing, the description from number one to infinity. A single thing, a single life.’


2008, six-channel interactive video installation, 30′x20′
computers, six video projectors, three video cameras, custom software, vinyl floor

Ice Fishing in Gimli
by Rob Kovitz
8 volumes, boxed set
4750 pages, 6″ x 8″
ISBN 978-0-9812869-0-7


Schmitz. (2002)

in Tablet Magazine – A New Read on Jewish Life

“I invoke Perec’s Judaism only in the way that he did—by scorning religious ritual, and investigating the esoteric aspects, especially the parallels between Oulipian restrictions and the disciplines of kabbalah.”

The Longest Poem in the World” is composed by aggregating real-time
public twitter updates and selecting those that rhyme.

It is constantly growing at ~4000 verses / day.

“The Dadameter is a tool for the profiling of language at large scale and the historical tracking of artistic and literary movements. It brings about a new alliance between art, science and global finance.

We use up-to-date 2.0 trend analysis and data visualization technologies, neural networks, graph theory or quantitative structural linguistics in order to be able to predict the next artistic craze.”
Christophe Bruno (2002 – 2008)


“RiTa† is an easy-to-use natural language library that provides simple tools for experimenting with generative literature.”

Code Enabled Brushes


“Gnoetry is an on-going experiment in human/computer collaborative poetry composition.

Gnoetry synthesizes language randomly based on its analysis of existing texts. Any machine-readable text or texts, in any language, can serve as the basis of the Gnoetic process. Gnoetry generates sentences that mimic the local statistical properties of the source texts. This language is filtered subject to additional constraints (syllable counts, rhyming, etc.) to produce a poem.

[...]

A key aspect of the Gnoetry software is the ability of a human operator to intervene in the language generation cycle, helping to “guide” the artistic process and to produce a result that is a true collaboration of equals.”


“…mashing up typography with MRI scans and digital fabrication / 3D printing…”


We propose a practical method for automatic procedural synthesis of synchronized harmonic bubble-based sounds from 3D fluid animations.


“More than iron, more than lead, more than gold I need electricity.
I need it more than I need lamb or pork or lettuce or cucumber.
I need it for my dreams.”

Racter (an AI program that produced poetic prose) The Policeman’s Beard Is Half Constructed. 1983



“…our aim lies in developing simple, deterministic and traceable generative processes. These simple processes have the advantage of more control: as they are highly determinable, their output is predictable and can therefore be easily refined through subsequent adjustments. We aim to show that a single deterministic process can generate a heterogeneous set of forms with an astounding degree of complexity.”

michael hansmeyer

“Structure Synth is an application for creating 3D structures from a set of user specified rules”

“The Subjektbeschleuniger (subject accelerator) mimics signatures subatomic particles leave in collision detectors such as installed at the CERN in Geneva.”

“Crafting computational calligraphies.

This shouldn’t be understood as trying to imitate human calligraphies using a computer. It means to use computation to create new representations of fonts, which can be considered as the digital representations of the ideas of glyphs.”

The following scripts generate random names, vocabularies, kung-fu moves, creatures, spells, and so on. Most people use them in role-playing games. Some people use them in designing their own SF/Fantasy languages.


“organic re-design intended as a whole to stimulate thought and dialogue about the progressive relativisation of natural forms of life as a result of techno-biological evolution. “

the canvas was talking to the easel at the antique mart
saying: u remember whn others used to paint us?
hah, then the humans used to do the 3D!
well damn if now it ain’t doing itself!



“Livecut is based on BBCut the BreakBeat Cutting library written by Nick Collins for SuperCollider

The BBCut Library began out of work on an algorithm to simulate the automatic cutting of breakbeats in the style of early jungle or drum and bass Nick Collins.”

[digital sound visual interactive poetry etc.]

Test pattern is a system that converts any type of data (text, sounds, photos and movies) into barcode patterns and binary patterns of 0s and 1s. Through its application, the project aims to examine the relationship between critical points of device performance and the threshold of human perception.

ikeda


the apostrophe engine | beta | Darren Wershler-Henry with Bill Kennedy






you are a deftly turned phrase, an etymological landscape, a home by the sea •


INSTRUCTIONS • Step 1: Click an Element to view a poem and optionally click on Add to submit it to the reaction. Add as many Elements as you like. • Step 2: Choose the procedure to facilitate the reaction: dissolve stir heat dilute centrifuge • Step 3: Click REACT to create a new poem.

Eno at Pop Start:
“…what Darwin did for life, we need to do for culture…”
“…culture is the way we look at ourselves, with which we can surrender…and try out different ways of being and feeling…”

Roxik — Masayuki Kido

Kate Armstrong

L’attente, the waiting / Flussgeist 1 (2007) Gregory Chatonsky

Benedikt Groß


Spore:

…a simulation that
“ranges from the molecular phase to the galactic phase”
[DICE 2007 Summit speech]

HarS :

“…ookoi at arti…The kibibyte is a collection of one thousand and twenty four seven second extracts”

Rokeby 2001 — Machine for Taking Time

“Every day since March 28, 2001, the system has been taking still images from 1079 pre-determined positions along a sweeping path around the garden.”

2007 — backward
“This work remembers. It creates layers of the history of the space, recombining disparate topics from consumer housewares to medical technology back into one study of a specific location.”

Tristan Tzara’s dada cut-up newspaper poem game in multimedia form

Crystalpunk: Meaning is to language what Soup is to a Fork

“Crystalpunk is a panoply of ideas revolving around the same few Wandering Stars: the Game of Go and the Game of Life, the origin of language and the origin of mind, the suspected but never-realised capabilities of mind, matter, memory and computers whispered into your inner ear by unknown writers and succumbi, the power of abstraction and a melancholy for the noise lost, the BacterioPoetic and the cybernetic writing machine envisaged by Italo Calvino and William S. Burroughs”

The following is not a dream… You walk by a desk, or you touch upon a desk surface by accident…and the desk starts to type itself. You walk by an ordinary stand-up lamp and a voice, half-human, half-machine, chants something almost comprehensible but not quite.