installation

“This system uses lasers to scan an onion plant from one of three angles. As the plant is scanned a fuse deposition modeler in real-time creates a plastic model based on the information collected. The device repeats this process every twenty-four hours”

“Un chassé-croisé de lieux, en trois mouvements de caméra qui révèlent le détail de ces lieux et les actions qui s’y déroulent, mais aussi qui démantèle la logique avec laquelle nous les percevons.”


Elsewhere : Anderswo – 2009: “… a site-specific sound installation across two sites. Visitors carry small GPS-equipped computers and wear headphones. Sounds play automatically in response to their movements in the landscape … they move through layer upon layer of responsive sound …”

Protrude, Flow (2001) (Detail), in collaboration with Minako Takeno

Zimoun : Sound Sculptures & Installations | Compilation Video V1.5

zimoun.ch



3D architectural projection mapping



from here to ear (2007-09) : a flock of zebra finches with electric guitars


watch on youtube


Nemo Observatorium. 2002. “Styrofoam beads are blown around in a big transparent PVC cylinder by five strong fans. Visitors can take place on the armchair in the middle of the whirlpool…”


2008, six-channel interactive video installation, 30′x20′
computers, six video projectors, three video cameras, custom software, vinyl floor


“Workspace Unlimited organzation, founded by Thomas Soetens [new media artist] and Kora Van den Bulcke [architect], is a mobile laboratory and creation space dedicated to experimental new media production and research, situated at the point where art, architecture and digital technologies converge to create new contexts of hybrid and augmented reality. “



Smoke and hot air animates my response to the relentless threats against Iran by a myriad of more fortunate countries in recent years. Sentences that include “attack Iran” are scavenged from Google News and spoken using a text-to-speech synthesizer. The voice is then picked up by a microphone, analyzed, and translated into rhythmically corresponding smoke rings from a quartet of smoke ring makers.”


(photo by yhancik)

“‘Responsive Type’ sets out to develop a type system
that is better suited and more native
to screen based display technologies.

The system renders letter forms in realtime
enabling forms to adapt and respond
to the context they exist within.”


HistoFace is a histogram typeface designed for use in the Photoshop “Levels” window.


Murmur Study (2009) is an installation that examines the rise of micro-messaging technologies


“Troika deconstructed legendary type designer Wim Crouwel´s Gridnik typeface for the zoetrope, breaking the typeface into verticals, horizontals and diagonals which merge into letters and words at speed.”



Moonmeme: “A word is projected onto the surface of the moon. The meaning of this word is gradually transformed over the 29.5 day lunation period by the relative motions of Moon, Earth and Sun.”


ZEE – Immersive Environment, © 2008

“A typographic experiment playing with the “Parallax Effect”, light-perspective distortion and shadow. The final piece was an intallation in a cubed room, combining a rotating light source and dispersed, hanging pixel-blocks in order to project words on the surrounding walls.”

By Max Parsons and Arran Gregory



from anything to anything in no time.                                                 STEFAN BRÜGGEMANN. 2005
black vinyl lettering
dimension variable

‘I come to my studio every day at 10.30, and I stay and do nothing. I go to Paris sometimes. I have a few ideas. To be very pretentious, sometimes I believe it is mystical. Sometimes you find nothing, and then you find some-thing you love to do. Sometimes you make mistakes, but some-times it’s true. In two minutes, you understand what you must do for the next two years. Sometimes it’s in the studio, but other times it’s walking in the street or reading a magazine. It’s a good life, being an artist, because you do what you want.”

After the Fall. 2008. Installation View. Each projection 8′ H x 15′ W.

Delicate Boundaries

“Delicate Boundaries imagines a space in which the worlds inside our digital devices can move into the physical world. Small bugs made of light, crawl out of the computer screen onto the human bodies that make contact with them. The system explores the subtle boundaries that exist between foreign systems and what it might mean to cross them.”

March 26–July 7, 2008, MOMA

Featuring works that transform books through a variety of mediums, Book/Shelf stresses an expanded notion of the illustrated book. The exhibition begins with a documentation of Marcel Duchamp’s Unhappy Readymade (1919)—a work created when the artist, while traveling, asked his sister back home to hang a geometry book on his balcony in order to let the wind flip and tear the pages. It continues with works in which artists appropriate books by others, such as a sculpture by Martin Kippenberger made partly of books, and a copy of Duchamp’s catalogue raisonné rebound by David Hammons under the title Holy Bible. Artists who tackle the idea of books in film (William Wegman), sound works (On Kawara), prints (Edward Ruscha), and drawings (Steve Wolfe) are represented as well. Finally, the exhibition surveys a number of artists who have created installations that display books in public contexts, including Brian Belott, Allen Ruppersberg, Josh Smith, and Lawrence Weiner.




Holding a miniature video camera, on one side of each suitcase in Carry On is mounted a two axis robotic arm. The live video feed from this camera is displayed on a LCD screen mounted on the other side of the suitcase. Every couple of minutes, the robots change the position of the cameras, thus changing what is being displayed in the LCD screens. Lacking image analysis of any kind or other sensory capability, these suitcases blindly look about, never understanding what they see.

The Precession (2009 -) is a data-poetical new work-in-progress that mixes original writing, real-time twitter feed choruses, and algorithmic composition in an evolving ecology.
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The Error Engine is a work of digital prose that is developing the capability to contribute to its own authorship, and, eventually, to evolve itself indefinitely.

Experiential Typography | One Day Poem Pavilion | Jiyeon Song

Using a complex array of perforations, light passing through the pavilion’s surface produces shifting patterns, which transform into the legible text of a poem

Jenny Holzer PROJECTIONS

November 18, 2007 – Fall 2008
The text on display in PROJECTIONS: Selected poems from View with a Grain of Sand and Poems New and Collected: 1957-1997, copyright © 1993, 1998 by Wisława Szymborska


Regen Projects

News Flows, Consciousness Streams: The Headwaters of a River of Words – New York Times

Ben Rubin, left, and Mark Hansen with part of “Moveable Type,” their installation in the lobby of The New York Times Building.

Fred Eerdekens


mhmmmhm
2002
Artificial trees, 2 light projectors

Alison Knowles — The Big Book (1967)

“…an eight foot tall construction … a front cover and several pages, and contains a stove, telephone, chemical toilet, art gallery, electric fan, books and other necessities of life.”

TYPOTOPO

“This site represents the space where typography and topography overlap: explorations of type in virtual environments, experiments in mapping, and innovations in textual display. TYPOTOPO examines how the act of reading evolves when letters and words, viewed both as text and image, are placed in interactive and dynamic environments. TYPOTOPO explores typographic information spaces and the possibilities for playful, expressive letterforms.”



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