Will Hoffman and Daniel Mercadante with support from RadioLab

Space Invaders n. pl. A nickname given to the transposons responsible for injecting reptilian and amphibian DNA into mammalian genomes 15 to 46 million years ago. We have good reason to dread the return of the virus-borne gene reprogrammers—their first appearance coincided with mass extinctions.”


conceptual work

“If we reduce the interaction between human beings and computers to pointing and grunting then we miss the role of language in the evolution of human mind and human consciousness. “

” … there is a fundamental requirement which the various kinds of concrete poetry meet: concentration upon the physical material from which the poem or text is made. Emotions and ideas are not the physical materials of poetry. … Generally speaking the material of the concrete poem is language …” (Concrete Poetry — A World View. 1968.)


“… a documentary about a controversial theory regarding the mechanism that drove the evolution of humans from primates to modern man; challenging the presently accepted evolutionary premise. It also speculates on humanity’s future evolutionary path.”


“Glory Hole includes the word in four languages: Kadosh – Hebrew, Holy – English, Maqadas – Arabic and Hailik – Yiddish. The dense construction rises about an inch off the panel. Holy is a heavy word it hold extreme connectedness and extreme conflict simultaneously.”

“The Dadameter is a tool for the profiling of language at large scale and the historical tracking of artistic and literary movements. It brings about a new alliance between art, science and global finance.

We use up-to-date 2.0 trend analysis and data visualization technologies, neural networks, graph theory or quantitative structural linguistics in order to be able to predict the next artistic craze.”
Christophe Bruno (2002 – 2008)

| Motionographer | Motion graphics, design, animation, filmmaking and visual effects



crepuscular knots of perfected complicity
derive no satisfaction from the eradication
of instinct in virtual realms

“…an expansive look at text-based art practices, inspired by the concrete poetry movement of the 60s which explored both the literary and graphic potential of language.”
17 Jun – 23 Aug 2009 @ ICA


Lilian Lijn, Sky Never Stops, 1965, Collection V&A Museum



FOXP2 (“forkhead box P2″) is a gene that is implicated in the development of language skills,[1] including grammatical competence.

“The surface of writing is and always has been complex. It is a liminal symbolically interpenetrated membrane, a fractal coast- or borderline, a chaotic and complex structure with depth and history.”


You Are Beautiful – 2007 digital print on archival paper – 29×42cm – limited edition of ten prints


“In that modern culture of secondary orality, he [Ong] held, people do not learn language naturally as part of growing up. Instead, he argued, they absorb it from television, compact discs and computer programs.”

Steve Bishop | Artist


Broken Jaw (2006)
Concrete, enamel paint,vinyl lettering. Sculpture: 70 x 60 x 50cm. Text dimensions variable.



“Ces arbres reposent sur une arborescence complexe composée des lettres de l’alphabet.”


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language crawls thru tree tunnels
unknotting calibrated moist
interfaces of cambium cognition

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An eight-part Radio Art series by Sarah Washington exploring the roots of language, communication and consciousness. The spoken text used as the basis for these pieces is the biblical story of The Tower of Babel from Genesis 11:1-9.

The series attempts to break down our understanding of language and challenge our relationship to meaning. The languages referenced include an array of tongues from Ancient Hebrew to Mandarin. Each episode is 3 minutes in length including a short introduction.





…an exhibition that explores visual art’s ongoing engagement – and entanglement – with language.

Why does this img remind me of txt msgs?


- Charles Carroll Bombaugh, Gleanings for the Curious From the Harvest-Fields of Literature, 1890

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“Crystalpunk is a simpleton stampede, a coxcomb carnival, a daydreamers cabal, a platitude-peddling potlatch, a nihilists ambulation on tiptoe, an incantation of the language in the corners of your eyes, a wild farrago of those who run before they can walk, an ABD of being Free from the NOW! NOW! NOW! We wear non-matching socks: that is who we are!”