Kemeny Babineau


The late sixties and early seventies saw Suknaski produce work for at least ten concrete poetry chapbooks (including two anthologies) while publishing many titles by others (Dennis Lee, Stephen Scobie, bp Nichol, Earle Birney, and Sid Marty, to name a few) as well with his own Elfin Plot Press. He floated poems and magazines rolled up in Al Purdy’s cigar tubes down the North Saskatchewan River. He folded an issue of Elfin Plot into paper airplanes and had them dropped from an aircraft flying north out of Edmonton. He buried others on mountaintops, or left them on beaches melted into tablet-like candles abandoned for strangers: something to light them home. It was undoubtedly actions like these that prompted Douglas Barbour’s wry comment that Elfin Plot was “the most underground of underground magazines.” The output during this time was frenetic, sprawling, brilliant, compulsive and voluminous, especially considering his transitory lifestyle and constant poverty.

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