video

“Un chassé-croisé de lieux, en trois mouvements de caméra qui révèlent le détail de ces lieux et les actions qui s’y déroulent, mais aussi qui démantèle la logique avec laquelle nous les percevons.”

“The latter half of the 20th century saw the built environment merged with media space, and architecture taking on new roles related to branding, image and consumerism. Augmented reality may recontextualise the functions of consumerism and architecture, and change in the way in which we operate within it.”



3D architectural projection mapping


2008, six-channel interactive video installation, 30′x20′
computers, six video projectors, three video cameras, custom software, vinyl floor

Tate Channel: Meet the Artist: Mat Collishaw


Papierballfall. 2008. HD video (2’00 loop)


gamer-face film using errol morris’ interrotron



AKA. “STRANGE RESTRAINT” : video portion of a dance performance based on Vladimir Nabokov’s “Lolita”.

illuzia.net

art ad
evolution integration
unity infusion
recursion control

branding films for newborn hybrid art-ad babies

RE:PLAY FILM FESTIVAL: Crush “Art of Thought” on Vimeo

| Motionographer | Motion graphics, design, animation, filmmaking and visual effects



crepuscular knots of perfected complicity
derive no satisfaction from the eradication
of instinct in virtual realms




2005
Photo & video art exhibition
100 X 70 cm
Offset

“Cessez le travail à la chaîne! Enchaînez les idées, les images et le mouvement! Artisans des médias de partout dans le monde, un moment historique est advenu: du temps reculé des scribes jusqu’aux blogueurs, du cinématographe des Lumière jusqu’au dernier cri des cellulaires-caméra, les moyens de production et de distribution sont de nouveau à portée de tous! “


David Lynch presents….



itinerant interviews
from the underbelly
of the overhead

LabCAST – The MIT Media Lab Video Podcast

Bart Hess

“Bart Hess is working for himself exploring several fields that straddle textile, fashion and animation, these fall within the commercial and art world.”

Robjn.com

Everything in one place

meakusma.org

RÜTS DVD Trailer – meakusma 2009 from meakusma on Vimeo.


Vincent Morisset interactive video for Arcade Fire

“Digital computers and software technologies are holistic; they think in terms of whole structures.”

Video 80(5):36-41. 1982. Bill Viola, Reasons for Knocking at an Empty House, pg. 101. Editor. Robert Violette. Cambridge: MIT Press, 1995.


In early 1914, a Spiritualist cinematographer from the Supernormal Picture Society of London joined the Royal Expedition to the Antarctic.


Smoking
Video clip

2007
2′45″
single channel videos
2.1 channel sound
color
ntsc

Produced By Pharrell – Santogold, Julian Casablancas, N.E.R.D.

“I hope we’ll be in this business for generations to come.”

Steve Bishop | Artist


Broken Jaw (2006)
Concrete, enamel paint,vinyl lettering. Sculpture: 70 x 60 x 50cm. Text dimensions variable.

After the Fall. 2008. Installation View. Each projection 8′ H x 15′ W.

watch the entire series: coupland.com


when ad beats the art
and brands top being
lines between media
become mildly irrelevant


“organic re-design intended as a whole to stimulate thought and dialogue about the progressive relativisation of natural forms of life as a result of techno-biological evolution. “

the canvas was talking to the easel at the antique mart
saying: u remember whn others used to paint us?
hah, then the humans used to do the 3D!
well damn if now it ain’t doing itself!

Delicate Boundaries

“Delicate Boundaries imagines a space in which the worlds inside our digital devices can move into the physical world. Small bugs made of light, crawl out of the computer screen onto the human bodies that make contact with them. The system explores the subtle boundaries that exist between foreign systems and what it might mean to cross them.”


My Damn Channel





Holding a miniature video camera, on one side of each suitcase in Carry On is mounted a two axis robotic arm. The live video feed from this camera is displayed on a LCD screen mounted on the other side of the suitcase. Every couple of minutes, the robots change the position of the cameras, thus changing what is being displayed in the LCD screens. Lacking image analysis of any kind or other sensory capability, these suitcases blindly look about, never understanding what they see.

Flash Video Technology – Blog Ing. Fabio Sonnati 2007

I use a mix of Ffmpeg, x264, Mencoder and Nero AAC. Here some parameters used:
5 reference frames, 5 B-frames, authomatic B-Frames, B-pyramid enabled, adaptive macroblock type, advanced Trellis on, Subq=7, advanced exagon search, deblocking filter with custom alpha e beta parameter, three pass encoding..

Example : clip from Sigur Ros’ Hemia


mag_mov

VAGUS : online interactive video art


object height=’373′ width=’425′>

Tobias Stretch video for Efterklang’s “Illuminant”



A film still from “The Perfectionist.”
Julian Rosefeldt, a German artist born in 1965 who lives in Berlin, makes “visually opulent, earnestly political films and videos. His work is high-minded, excessively middlebrow and seemingly bent on tweaking consciousness seductively and without strain,” writes Roberta Smith.


«Video Texte» (1975)

weibel-videotext

A sequence of video-specific poems. Purely linguistic poems which are constructed on the temporal, sculptural and technical possibilities of the video system. Evolutions of some methods of concrete poetry. The TV set becomes a processual text object.

Expanded Cinema
as
Expanded Reality

MoMA.org | The Collection | Inasmuch As It Is Always Already Taking Place. 1990

MoMA.org | Exhibitions | 2005 | OWLS AT NOON Prelude: The Hollow Men

“Chris Marker combs a vast beach of images to create an echo chamber in which the viewer can either remember or witness for the first time the reality of a civilization’s self-slaughter.”

www.myspace.com/mward


Friends of Orbit Bright – a racistly-white parody site promoting chewing gum and chastity (sex!). Painfully obvious perpetual brand placements. It’s aimed at (post-)tweeners who believe in god but want to get laid.

Outlook Theatre – a car made glamorous through association with video vignettes of a perfect family and immaculate romantic moments. Light fluffy and efficient consumer waltz. It’s aimed at the wife archetype who wishes she could drive away.

UFC66 – an Ultra fighting championship labyrinth full of snarling warriors and big time money. It’s aimed at soldiers, the dispossessed and anyone who needs to fight just to survive. The myth of a champion is needed only by the defeated and oppressed.


Bill Viola : Artists “detoxify and transform” technology.

interview pt2: “…it is up to the artist to understand the inner technology of their own thought, and make sure it’s as pure and honest and direct as it can be…”


“They decide to meet up, but in an attempt to keep their interaction interesting, they make a pact to not speak to one another. As their romance develops, they only write, draw, email, text, have sex, instant message, and make videos for each other. No talking.”

As I was coming home tonight, at 319 Main St, Vancouver, a window was being projected on from inside and it was playing excerpts from:
the 1995 PBS series United States of Poetry
What is this place on main st? I like it but the doors were locked.

Sheldon Brown

The Scalable City is a set of projects that explore the externalization of algorithmic approaches to urbanization which intersect with geographic, political, economic and aesthetic zones of conflict.

Rokeby 2001 — Machine for Taking Time

“Every day since March 28, 2001, the system has been taking still images from 1079 pre-determined positions along a sweeping path around the garden.”

2007 — backward
“This work remembers. It creates layers of the history of the space, recombining disparate topics from consumer housewares to medical technology back into one study of a specific location.”