” … there is a fundamental requirement which the various kinds of concrete poetry meet: concentration upon the physical material from which the poem or text is made. Emotions and ideas are not the physical materials of poetry. … Generally speaking the material of the concrete poem is language …” (Concrete Poetry — A World View. 1968.)
“Alphabetic writing, like all technological systems and apparatuses, operates according to what might be called a corporeal axiomatic: it engages directly and inescapably with the bodies of its users. It makes demands and has corporeal effects. … The alphabet does this by imposing it own mediological needs on the body, from the evident perceptual and cognitive skills required to read and write to the invisible, neurological transformations which it induces in order to function. ”
Cage estimates that the game has roughly as much content as five feature films. “We don’t have ‘game over’ situations,” says Cage. “If you die as one character, you can play through to a different ending with the others. We saw the game as a journey, not like a series of obstacles that you need to go through. The point is for the experience to change when you change your actions.”
“Each day in 2009, I asked every person with whom I had a meaningful encounter to submit a record of this meeting through an online survey. These reports form the heart of the 2009 Annual Report. From parents to old friends, to people I met for the first time, to my dentist… any time I felt that someone had discerned enough of my personality and activities, they were given a card with a URL and unique number to record their experience.”
















