About
This blog charts the progress of the studio component of an independent study course completed by David Jhave Johnston (glia.ca) with the guidance and input of Jason Lewis of OBX Labs at Concordia University, Fall 2008.
What’s going on?
Basically, I am constructing an online real-time beat-synchronized poem
animator. Sound drives the rhythm of the words: their speed and style
of display can be controlled. Sets of experiments will be displayed.
The work is inspired and informed by Gary Hill. In the 1980s, Hill was
making video pieces where the voice was the compelling force that
controlled the rate of change of video cuts. His cuts were made
manually. But a similar principle is at work in the Sound-Seeker
(i am looking for a better name) prototypes where a user-controllable
volume threshold allows the animation or editing speed to be controlled
by the sound. By setting the threshold high, the device becomes
insensitive to sound. Low settings cause rapid flurries of cuts to
video or changes in the rate of reading and animation.
Flexibility and ease-of-use for myself in being able to instinctively
test out ideas is key to this process. Currently the prototype (as of
November 2008) allows choice of sound source, text source, cutting
place in the text (period or space delimiters), setting of volume
threshold, choice of randomized or static font based on the fonts on
user’s machine.
It promises to efficiently provide a feasible platform. The mind responds well to rhythmic alignment.
Official Course Description: Digital poetry is an
emergent discipline in the field of literature. By synthesizing text,
video, sound and interactivity, a hybrid art-form is created. This
course will examine the theoretical context and contemporary
practitioners of this digital art-form. Building on and moving beyond
the chronology established in media discourse, it will attempt to
reintegrate diverse modes of kinetic typography under a unified
theoretical framework that bridges materiality and virtuality.